Update: The six episodes are available now:
Luke Skywalker - The Journey Begins
Darth Vader - Power of the Dark Side
Luke vs. the Wampa - Cavern Escape
R2-D2 - A Loyal Droid
Chewbacca - The Trusty Co-Pilot
Darth Vader - Might of the Empire
After the stories of Jango and Boba Fett, another warrior emerges in the Star Wars universe. The Mandalorian is set after the fall of the Empire and before the emergence of the First Order. We follow the travails of a lone gunfighter in the outer reaches of the galaxy far from the authority of the New Republic.
“I made the timing decision, and as I look back, I think the mistake that I made — I take the blame — was a little too much, too fast. You can expect some slowdown, but that doesn’t mean we’re not gonna make films. J.J. [Abrams] is busy making [Episode] IX. We have creative entities, including [Game of Thrones creators David] Benioff and [D.B.] Weiss, who are developing sagas of their own, which we haven’t been specific about. And we are just at the point where we’re gonna start making decisions about what comes next after J.J.’s. But I think we’re gonna be a little bit more careful about volume and timing. And the buck stops here on that.”The end result is the rumored Obi-Wan Kenobi and Boba Fett films are officially dead and probably Star Wars will move to an every other year schedule. Now personally I think its an over reaction on Disney's fault. One strike and your out for such a huge franchise is short-sighted and reeks of executive cowardice. They took a risk moving the film to an early Summer release schedule which was already thick with competition including their own Avengers: Infinity War film. They also "should" have known that not all the "Star Wars Story" films would be mega hits and been ok with anything at break even or above along as long as it didn't become a habit. Especially when considering the usually reliable Chinese box office has minimal interest in Star Wars. At the very least, another at bat was more then earned by Star Wars and an Episode number doesn't count towards that.
Poe and BB-8 assign newly-appointed spy Kaz to the Colossus, a massive aircraft re-fueling platform on an outer rim water planet, home to colorful new aliens, droids and creatures. While undercover, Kaz works as a mechanic and lives with Poe’s old friend Yeager, a veteran pilot who operates a starship repair shop run by his crew: Tam, Neeku and their old battered astromech droid, Bucket. Kaz soon finds himself in over his head with his new friend BB-8 as he’ll have to compete in dangerous sky races, keep his mission a secret from his newfound family, and avoid the danger of the First Order.
"They haven’t slowed down development," says a source with knowledge of Lucasfilm’s thinking, "but they are licking their wounds."From ABC News:
"It doesn’t mean those spinoffs don't happen," says another insider of Solo's underperformance globally. "It just means they’re trying to figure out how to make, and market, them differently."
But there's a catch with Boba Fett. Sources say that after the underperformance of Solo, the project could now be reconfigured. The thinking is that if Han Solo, one of the most iconic characters in the Star Wars universe, couldn’t sustain a big-budget origin feature, then any Fett movie would have to be scaled down, since though the character is popular, he’s certainly less well-known to most moviegoers than the Corellian smuggler.
The status of the Obi-Wan Kenobi spinoff is even less clear. Stephen Daldry had been in negotiations to direct, but both the studio and his agency, CAA, had no comment on the current state of the project.
Lucasfilm sources on Thursday characterized as "inaccurate" a report that future "Star Wars" movies falling outside of the regular trilogy storyline (Episodes I to IX) have been put on hold in the wake of the box office under-performance of "Solo: A Star Wars Story."So basically Collider was accurate. One spin-off film (Boba Fett) may move forward and no movement on any other spin-offs. I suspect Disney's plan is to do a cheaper budgeted Boba Fett film, see how it does and then decide if they will do other spin-off films based on how it does combined with how far in development they are on the Rian Johnson's trilogy and the Benioff/Weiss film. A reasonable plan, not entirely sure why they just state that.
Instead, Lucasfilm told ABC News there are still "multiple" Star Wars films currently in development that have not been officially announced. Those projects are moving forward separate from an already-announced "Star Wars" trilogy being overseen by "The Last Jedi" director Rian Johnson and another series of movies from "Game of Thrones" producers David Benioff and D.B. Weiss.
This fear or unwillingness to branch out of these archetypes and try new things renders Solo oddly joyless. It’s a movie that throws a ton of special effects at the screen, but no one really seems to be enjoying themselves or taking stock of their situation. It’s to Howard’s discredit that he could make a movie firmly in the mold of an action-adventure and it rarely feels adventurous. ...For Howard’s part, his greatest concern seems to being making sure everyone hits their mark and says their lines. It’s the bare minimum of direction as the score does the heavy lifting rather than injecting an actual personality into this movie.USA Today grade: 3/4 stars
Ehrenreich does the character justice, mainly because he’s a different Han than previously seen. This guy’s all wide-eyed gumption and smirking confidence — not the cynic who gets a crash course in the Force later in life. Lawrence Kasdan penned the screenplays for The Empire Strikes Back and Return of the Jedi back in the day, so his co-writing Solo with son Jonathan — and having a masterful handle on Han’s voice — is half the battle.AV Club grade: B
the action sequences, including a sci-fi train robbery and a smash-and-grab infiltration, unfold with the efficient professionalism often associated with director Ron Howard. ...Ehrenreich makes a fine, if not exactly revelatory, young Han. His best moments are comic, imitating some Harrison Ford mannerisms (the stance, the pointing) with a cocksure goofiness; he might have been a more distinctly funny take on the character for other filmmakers. ...This is a fannish, sometimes overstuffed undertaking, but it’s so full of Star Wars-y details, like the alien head floating in a jar singing backup at a villain-packed club, that it’s hard to begrudge it a certain inconsequentiality.Entertainment Weekly grade: B
...Speaking of Glover, it’s no spoiler to say that the Atlanta star is easily the best thing in this good-not-great movie. More than any big action set piece or narrative double cross (and there are plenty of them thanks to a smooth crime boss played by Paul Bettany), it’s Glover’s mack-daddy, Colt 45 swagger as the rakish gambler formerly played by Billy Dee Williams that will be the thing you’ll be buzzing about after the lights come up. ...It’s all fun and rollicking enough until you walk out of the theater into the daylight and realize just how trivial and insignificant it all really is. What you’re really left with, apart from a yearning for the young Ford at his most cavalier, is a slightly fuller and more rounded understanding of who Han Solo is – where he came from, what makes him tick, and how he’d much prefer to shower alone than with a Wookiee. In other words, it’s pure fan service. And if that’s what you’re after, then you’ll be more than satisfied.io9.com
Filled with excellent action and a lot of emotion, Solo: A Star Wars Story is going to surprise a lot of people. Despite its troubled production, it’s ended up being incredibly fun and funny, with great characters, performances, and a huge range of Star Wars references to delight fans and non-fans alike. ...The whole film hinges on Ehrenreich’s portrayal of a younger, still-developing version of the legendary character, and I’m happy to report he nails it. Solo has flaws. But those flaws pale in comparison to the rest of it. This may not be your favorite Star Wars movie, and it definitely won’t change what you think Star Wars can be. It will, however, remind you of everything you love about it and, hopefully, have you grinning like Han the first time he jumps to hyperspace.
“It’s a love story. Obviously, they don’t automatically trust each other and become friends. But that’s all the meat of a good story. To me, this is a love story between Han and Chewie. Their relationship has always been my favorite part of the saga, and the fact that only Han understands what Chewie is saying, I find a very funny possibility for comedy … Wookiees have so many positive qualities. But what they don’t do is make it easy for you to get in.”
This is the full movie, but with no dialogue, fx or backgrounds... just John's score. I really wanted to put this out, it's really something to see John's music play with the movie, like a silent film.
— Rian Johnson (@rianjohnson) March 13, 2018
“We have a script, which is a big deal for me. It starts shooting end of July … Sometimes having the script in advance is something I haven’t always been lucky enough to have … But I’m writing this with Chris Terrio, who’s a genius, and I’m having a great time.”The script is written with Abrams, Derek Connolly, Chris Terrio, and Colin Trevorrow while aiming for a December 20, 2019 release date.
• The Director and the Jedi – Go deep behind the scenes with writer-director Rian Johnson on an intimate and personal journey through the production of the movie—and experience what it’s like to helm a global franchise and cultural phenomenon.
• Balance of the Force – Explore the mythology of the Force and why Rian Johnson chose to interpret its role in such a unique way.
• Scene Breakdowns
- Lighting the Spark: Creating the Space Battle – Get a close-up look at the epic space battle, from the sounds that help propel the action, through the practical and visual effects, to the characters who bring it all to life.
- Snoke and Mirrors – Motion capture and Star Wars collide as the filmmakers take us through the detailed process of creating the movie’s malevolent master villain.
- Showdown on Crait – Break down everything that went into creating the stunning world seen in the movie’s final confrontation, including the interplay between real-world locations and visual effects, reimagining the walkers, designing the crystal foxes, and much more.
• Andy Serkis Live! (One Night Only) – Writer-director Rian Johnson presents two exclusive sequences from the movie featuring Andy Serkis’ riveting, raw on-set performance before his digital makeover into Snoke.
• Deleted Scenes – With an introduction and optional commentary by writer-director Rian Johnson.
• Audio Commentary – View the movie with in-depth feature audio commentary by writer-director Rian Johnson.