Sunday, February 6, 2011

Super 8 Superbowl Trailer, Movie Description, Abrams Interview

Today is a big day for the promotion of JJ Abrams directed movie Super 8. Not only do we have a new trailer thanks to the Superbowl ad but also an actual description of the movie as a result of an interview JJ Abrams had with Hero Complex.

Trailer links: YouTube (HD) | Apple Trailers



Movie Description:
“Super 8″ takes its name from the Eastman Kodak film format that became a sensation with amateur movie-makers in the late 1960s and represented a rite of passage for several generations of aspiring directors, among them Spielberg and Abrams. The Paramount Pictures release is set in Ohio in 1979 and introduces a troupe of six youngsters who are using a Super 8 camera to make their own zombie movie. One fateful night, their project takes them to a lonely stretch of rural railroad tracks and, as the camera rolls, calamity strikes — a truck collides with an oncoming locomotive and a hellacious derailment fills the night with screaming metal and raining fire. Then something emerges from the wreckage, something decidedly inhuman.


Here are highlights of the Hero Complex interview:
“This is the first time I’ve talked about the movie with anybody that wasn’t working on it,” a fidgeting Abrams said of the June 10 release – the third feature he’s directed, following the hits “Star Trek” and “Mission: Impossible III.”

“To me, all people need to know is that it’s an adventure about a small town and it’s funny, it’s sweet, it’s scary and there’s a mystery: What is this thing that has escaped? What are the ramifications of its presence? And what is the effect on people? But I know that’s not enough. Look, I feel we need a little bit of a coming-out party because we are up against massive franchises and brands and most people don’t know what ‘Super 8′ means. We’re a complete anomaly in a summer of huge films … and we don’t want to be so silent or coy that people don’t care or don’t hear about it.”

“As the process went along I realized I had the potential makings of my favorite sort of movie, which is the one that is the hardest genre to define,” Abrams said. “That because you could say — and be right — that it’s a science fiction movie; or you could say — and be right — that it’s a love story; or you could say — and be right — that it’s a comedy; or you could say — and be right — that it’s a special-effects spectacle. That sort of cocktail is for me what I love about movies…that was the beginnings of this movie coming together.”

The movie began as two projects that ended up merging due to their individual deficiencies. The first was a non-fantastical tale of youngsters and the way they see the world and each other through the viewfinder of their Super 8 camera. Abrams took the vague notion to Spielberg and they decided to investigate further but a string of meetings with top writers in town ended with a lot of shrugs and consternation. Abrams said “there was not much there and it was frustrating because it would not go away in my head. … I couldn’t tell you what the story was. I knew characters, I knew situations, I knew there were issues of class and a love story at the core and that it would be a coming-of-age movie. A lot of the writers were lukewarm.”

Paramount, meanwhile, had bought a separate idea by Abrams for a spooky film about the 1970s scrutiny of Area 51 and how anxious government officials decided the best way to protect the classified possessions of the increasingly notorious military base was to ship them off to other sites aboard midnight trains — one of which never reaches its final destination. With this project, Abrams had “a pretty cool premise but no characters to speak of … so I was in possession of two halves and it occurred to me after six months or so to put them together.”

“This is a movie about overcoming loss and finding your way again and finding your own voice,” Abrams said. “A boy whose lost his mother and the man whose lost his wife. There’s this father who, because of the era, never really had to be the parent. He’s a good man, he works hard, he’s a deputy in the town, but he’s never stepped up as father.”

“It was a little bit like being a parent where you kind of have to herd this group,” Abrams said. “They were all incredibly distinct and just amazing to work with. Two of the main kids had never been on the set of anything before. … I have to tell you after the first day or two I was horrified. It just took them 48 hours, though, to go from being complete neophytes to being on their way. It was incredible to watch and as scary as it was for me I can’t imagine how scary it was for them.”

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